Micah Gleason has been recognized for her diverse performance abilities as a conductor, vocalist, and chamber musician. Interdisciplinary collaboration and community building are at the core of Micah’s music-making. She is curious about the most effective ways to disrupt the stasis and comfort of the modern concert hall; to examine how the disciplines of music research, performance, and perception can grow more aware of each other, and how artists, activists, and researchers can most effectively collaborate.
Micah holds degrees from the Chicago College of Performing Arts and Bard College-Conservatory of Music, and is an alumna of notable training programs including the Aspen Music Festival and the Conducting Institute at Oxford. Micah has appeared with professional ensembles including the Grant Park Symphony Chorus and the American Symphony Orchestra’s Festival Chorale. Micah also served as the Alto Artist in Residence at Rockefeller Memorial Chapel at The University of Chicago for two years, where she was a regularly-featured soloist.
Micah is now pursuing master’s degrees in Conducting and Vocal Arts at Bard under the tutelage of James Bagwell and Stephanie Blythe. From 2019-2021, she served as the assistant conductor of the Bard Symphonic Chorus, and co-conductor of the Bard Opera Workshop. Micah was named a 2021 conducting fellow at the Eastern Music Festival, where she studied with Maestro Gerard Schwarz.
Recent performances include leading The Orchestra Now in a performance of works by Gustav Mahler, Gabriela Lena Frank, and the world premiere of Christopher Bell’s new piece, Inure; and performing as a featured soloist in György Kurtág’s Kafka Fragments, and leading the Eastern Festival Orchestra in a performance of the overture to Verdi’s La Forza del Destino. In 2022, Micah will serve as the assistant conductor for Bard Graduate Vocal Arts Program’s production of The Cunning Little Vixen, directed by Stephanie Blythe.